This article examines social choreography as a cultural commoning practice that is embedded within a relational structure between different institutions, the people involved, and specific socio-cultural contexts. The artistic research project Une danse ancienne by French choreographer Rémy Héritier and their team is presented as a case study of this practice. This collaborative choreography is based on a dance performance and social gathering that is reactivated every year by the same dancer in the same peri-urban site in a metropolitan area of Lausanne, Switzerland. Une danse ancienne holds strong relationships to temporalities, to the changing urban space, and to communal processes of documentation. Its relational choreographic structure and sharing practices are analyzed against the concepts of ‘expanded choreography’ and ‘cultural commoning’. This article, therefore, discusses social choreography as a cultural commoning practice that involves interactions with different social groups and institutions and practices of sharing and communal documentation. This article shows how, as social choreography, Une danse ancienne reflects upon urban transformation through cultural commoning practices.

中文翻译：

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社会编排作为一种文化共同实践：成为《Une danse ancienne》中城市转型的一部分

本文将社会编排视为一种文化共同实践，它嵌入不同机构、相关人员和特定社会文化背景之间的关系结构中。法国编舞家 Rémy Héritier 及其团队的艺术研究项目《Une danse ancienne》被作为这一实践的案例研究。这种合作编舞是基于舞蹈表演和社交聚会，每年由同一位舞者在瑞士洛桑大都市区的同一个城郊场地重新启动。 Une danse ancienne 与时间性、不断变化的城市空间以及公共记录过程有着密切的关系。它的关系编排结构和共享实践是根据“扩展编排”和“文化共同性”的概念进行分析的。因此，本文将社会编排讨论为一种文化共同实践，涉及与不同社会群体和机构的互动以及共享和公共记录的实践。本文展示了作为社会编舞，《古代舞蹈》如何通过文化共同实践来反思城市转型。